natalie quan yau tso 左君悠
natalie quan yau tso 左君悠
natalie quan yau tso

I am making, thinking, working and living on stolen Wangal,
Cammeraygal and Gadigal lands of the Eora nation as an
uninvited guest. I would like to acknowledge and pay my
respects to the elders past and present.

Always was, always will be Aboriginal land.

works
sea ghosts (2024-)
sea-skins 海皮 (2024)
your spit is my nest (2023)
nothing happened here 呢度冇事發生 (2022)
wedding (2022)
dear, from (2022-ongoing)
Peeling & Cleansing (2020-1)
蜂蜜豆漿 Soy Milk and Honey (2021)
許願雲 Wishing Clouds (2021)
我出嚟嘞 Out-Coming (2020)
Pepper Spray (2020)
about
cv
natalie quan yau tso

I am making, thinking, working and living on stolen Wangal,
Cammeraygal and Gadigal lands of the Eora nation as an
uninvited guest. I would like to acknowledge and pay my
respects to the elders past and present.

Always was, always will be Aboriginal land.

works
sea ghosts (2024-)
sea-skins 海皮 (2024)
your spit is my nest (2023)
nothing happened here 呢度冇事發生 (2022)
wedding (2022)
dear, from (2022-ongoing)
Peeling & Cleansing (2020-1)
蜂蜜豆漿 Soy Milk and Honey (2021)
許願雲 Wishing Clouds (2021)
我出嚟嘞 Out-Coming (2020)
Pepper Spray (2020)
about
cv

蜂蜜豆漿
Soy Milk > Honey
2021
11 minutes facemask performance, single-channel video


Soy Milk and Honey 蜂蜜豆漿 centres an intimate act of care between an Australian Born Cantonese and a Hong Kong immigrant. As they peel off each other’s ‘skin,’ they tread through how embodied heritage and traditions intersects with present political landscapes. Their whispered fears, loud giggles, candid confessions and whimpers of pain depict the conflicting understanding of being a queer Cantonese couple. They peel off and acknowledge the lack of energy in revolting to exist, or to only be valued when desired by men. Desiring each other, protecting and being protected by another asian woman becomes a way to dissolve their collective trauma.


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